Music: Pavane Lachrimae and Les Boffons from Jacob van Eyck's Der Fluyten Lust-hof
Text: Selections from Francis Bacon's New Atlantis

"We have also sound-houses, where we practise and demonstrate all sounds, and their generation. We have harmonies which you have not, of quarter-sounds, and lesser slides of sounds. Divers instruments of music likewise to you unknown, some sweeter than any you have, together with bells and rings that are dainty and sweet. We represent small sounds as great and deep; likewise great sounds extenuate and sharp; we make divers tremblings and warblings of sounds, which in their original are entire. We represent and imitate all articulate sounds and letters, and the voices and notes of beasts and birds. We have certain helps which set to the ear do further the hearing greatly. We have also divers strange and artificial echoes, reflecting the voice many times, and as it were tossing it: and some that give back the voice louder than it came, some shriller, and some deeper; yea, some rendering the voice differing in the letters or articulate sound from that they receive. We have also means to convey sounds in trunks and pipes, in strange lines and distances."

Flow and Fragmentation merges the utopian vision of Francis Bacon (1561 - 1626) with an exploration of two works from Jacob van Eyck's Der Fluyten Lust-Hof. The Pavane Lachrimae and Les Boffons are dissected, extended and electronically manipulated; the text is embedded within the resulting textures, spoken rather than sung. The result is an immersive environment in which the audience can explore the presented narrative.